foreword by Katy Pyle, Adesola Akinleye Editor/Curator, (Re:)Claiming Ballet
Text by Coco Romack Photography by Yael Malka, Chronicle Books
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Sense of Shifting: Queer Artists Reshaping Dance
Sarah Cecilia Bukowski, Dance Enthusiast
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
IMPRESSIONS: Ballez in “Travesty Doll Play Ballez (after Coppélia)” at Chelsea Factory
Selby Wynn Schwartz, Global Performance Studies vol. 4, no. 1, 2021
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
"We'll See You at the Barre!" Stretching Queer Sociality with Ballez
foreword by Katy Pyle, Adesola Akinleye Editor/Curator, (Re:)Claiming Ballet
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
(Re:) Claiming Ballet
Gretchen Alterowitz, The Oxford Handbook of Contemporary Ballet
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Feminist Practices in Ballet: Katy Pyle and Ballez
Chloe Angyal, Turning Pointe, Bold Type Books
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Turning Pointe: Chapter 9 "I Keep Dancing On My Own"
Siobhan Burke, The New York Times
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Wool, Sneakers and Community: Ballet Class Persists Outdoors
Gia Kourlas, The New York Times
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
CRITIC'S PICK Review: Fighting for the Right to Dance Giselle
Siobhan Burke, The New York Times
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Lesbians in Ballet: ‘Has Anyone Like Me Ever Walked These Halls?’
Celia Wren, The Washington Post
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
This LGBTQ ‘Giselle’ celebrates individuality, putting a spotlight on non-inclusiveness in classical ballet
Olivia Manno, Dance Teacher Magazine
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Ballez Founder Katy Pyle Is Creating Space for Students to Reclaim Ballet on Their Own Terms
Rob Kramer and Pier Carlo Talenti, Art Restart
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Art Restart Interview
Gia Kourlas, The New York Times
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Trimming Stravinsky in Purple and Red
Samantha Cowan, Take Part
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Ballet Company Raises the Barre for Queer Storytelling
Amy Gall, BK Mag
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Ballez: Making Ballet Funny, Strange, and Explicitly Queer
JE Reich, Jezebel
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
This NYC Dance Troupe is Turning Classic Ballet Into Queer Activism
Britney McNamara, Teen Vogue
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
How This NYC Dance Troupe Uses Ballet for Queer Activism
Erin Bomboy, Dance Enthusiast
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Impressions of Ballez’s “Sleeping Beauty & the Beast"
Gia Kourlas, New York Times
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Katy Pyle and Her ‘Misfits of Ballet’
Eva Yaa Asantewaa, Infinite Body
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Ballez: La MaMa Moves presents ballet on the wild side
Natalie Axton, hyperallergic
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
The Dances of the Slavic Goddesses
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
This LGBTQ Dance Company Wants to Change How We Think About Gender in Ballet
Trina Mannino, Vice Magazine
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
The Future of Ballet is Inclusive and Queer
Siobhan Burke, Dance Magazine
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Katy Pyle Is Queering Up the Ballet Canon with Her Ballez
Siobhan Burke, The New York Times
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Music, Theater and More to Experience at Home This Weekend
Zachary Whittenburg, Dance Magazine
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Many Dance Studios Still Aren’t Gender-Inclusive. Here’s How to Change That
Elyssa Goodman, them.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
This Queer Ballet Company Is Putting Their Classes Online For Everyone
Melissa Kravitz, Cosmopolitan
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Inside the Movement to Make Ballet a More LGBTQ-Inclusive Space
Kristen Stake, Portland Phoenix
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique.
Lez Dance — Ballez Artistic Director Katy Pyle on queering ballet vocabulary in Maine
